I was going to try to write a post on how I've tried to deal with issues of cultural appropriation in my work, and how I'm pretty sure I've failed several times, and why, and how to do better, but it's, um, hard. And painful. And not done.
So instead, I will point you to
sparkymonster's That Voodoo You Do, about an SPN RPS story in which
winterlive casts extrethuvia white boy Jared Padalecki as voodoo practitioner.
sparkymonster says, "The best summary I can give is: "cultural appropriation of voodoo = angst and sexy times."
winterlive responds to
sparkymonster's patient and detailed commentary with:
Well, that's just fucking AWESOME for you now, isn't it? I mean, enabling the personal growth of white people is just what the cultures of people of color are all about.
So instead, I will point you to
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as you've heard in your post, this isn't the first story i've written in a culture that isn't my own. in the WisCon panel transcript you linked to, the panelists talk about how difficult it is to write what you don't come out of, but how boring fiction would be if that's all we could write. i feel like i have a decent handle on what makes for racism in prose - you've helped me learn a little more about it, for which i thank you, because i was raised to believe that racism is something ugly and awful. but i'm not ashamed of writing this story, or monogatari, or any cultural crossover i've done. because every time that i did, the care i took with the research let me learn more about that culture and grow to love it a little more. and i'll never be sorry for that.
Well, that's just fucking AWESOME for you now, isn't it? I mean, enabling the personal growth of white people is just what the cultures of people of color are all about.