thuvia ptarth (
thuviaptarth) wrote2005-05-06 08:17 am
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[Fullmetal Alchemist] Ed ficlet for
ranalore
It's not possible to forget that Edward is small, but Hawkeye has already gotten used to thinking of him as small in a particular way: small like a pit bull, or a bullet, or a gram of ammonium nitrate. That is not the kind of small he looks crumpled unconscious in front of a crying child and a woman's corpse, or dumped in the back of an automobile in a tumble of black and red.
Mustang straightens up, his back still rigid with anger. "Take him back to Tucker's house."
Hughes would cluck his tongue and chide, but Hughes is still poking at the corpse.
"Lieutenant Havoc," Hawkeye says, and climbs into the back and pulls Edward onto her lap. Havoc coughs and "Ahh--"s and fidgets and finally hauls himself behind the wheel to the accompaniment of Mustang very loudly saying not a damn thing. He's gunned the engine twice before the Lieutenant Colonel gets in. Mustang slams the door closed so hard the frame shakes.
It sounds strangely peaceful, the motor's regular growl and the drumming of rain on the windows. Hughes, who has been pestering other new parents for tips, says the wife of a lieutenant in East City claims that when nothing else works, her baby will calm down during a drive. Hawkeye smooths Edward's damp hair and shifts him a little. He is very light except for the automail arm and leg, and very warm except for them, too. He snuggles into her, still unconscious, and curls a cold dense arm around her back. It feels like leaning against a steel bar. It is leaning against a steel bar.
His living fingers tighten on her sleeve. "Mother," he whispers. "I'm sorry, I'm sorry--"
"Shh." She presses her cheek against his head. "You're a good boy, Edward. Go back to sleep."
"He's not a child," Mustang snaps. She doesn't have to look to know that he's still glaring out the window or that he hasn't once looked at Edward since the boy fell down.
They've known each other a long time. He doesn't have to look to know what kind of answer her silence is.
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>small like a pit bull, or a bullet, or a gram of ammonium nitrate<
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I'm glad you like it. Have I mentioned that I think Fullmetal Alchemist makes a good starter anime? ;)
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And hee! You pimp. I've seen two episodes now--I caught one on a few weeks ago where Edward and Al had been in some sort of confrontation/accident in a lab (told through flashback) where they'd seen homonculi. It had left Al sort of blown up and without legs, and Ed was in the hospital. And everyone who visited was saying, "Al? Why are you looking so depressed?" Like the fact that he wasn't propped in the corner of a hospital room unable to move wasn't enough to depress anyone. Only it turned out to be something about memory at the end, and Al's belief that Ed had created/miscreated his. And then he ran away once he had legs again. All very cliffhangery!
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It is my pimpish duty to inform you that there are two DVDs out, containing about 8 or 9 episodes, and that Adult Swim is going to start rerunning the series from the beginning on Tuesday.
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in a good way, but still. ed! hawkeye! *whimper*
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This is absolutely stunning. I love the way Hawkeye sees Ed, the way she understands Roy and her relationship with him. This scene just breaks me whenever I watch it, so I can't begin to describe how pleased I am it's the basis for this piece.
And it's the general stoicism of FMA that gets me, the way they refuse themselves grief and pain and feed it into anger. I love that you captured that too.
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I wouldn't have said that they refused grief and pain, though. One of the things I like about FMA is the opposite, the way the characters' emotions are so naked. I really love how Ed bursts into tears at the end of the Barry the Chopper episode, the way he just sits down and sobs and says he was afraid. It's such a real reaction, and it's so different from the typical hero "swallow back fear and make jokes about it" cliche. And it's a reminder that he's a child at a time when he's been trying very hard to be an adult, and actually succeeding in it--I mean, sometimes a brash and thoughtless adult, but he is fairly self-reliant and determined and able to direct his own actions.
There's so much in FMA to talk about. I've hardly even started on the various ruminations on what childhood means and what adults' responsibilities to children are.
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I love your ficlet, especially the first and last paragraphs. The imagery is lovely and the emotion is very real.
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PS. Don't you owe me email? I'd really like to see what you've got, or a summary of it.
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I do owe you, but I still need to finish it up. And I kind of hate it, but I'm forcing myself through the "it's zero draft, it's okay if it sucks" stage.
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Going back to my STETs now-- I can only take so much before my eyes start glazing over and I can't tell what's right any more.
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I must get back to watching more of FMA so I can read everyone's episode commentary!
I love the last exchange between Roy and Hawkeye.
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*cough* Who linked it?
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And thank you. I'm glad you liked it.
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If Ed woke up during this, I could imagine the look of embarrassment on his face xDOh, and Roy's just pouting 'cause he's jealous XD!