I love your use of movement and rhythm. It suits the music so so well, which in turns suits the source, and particularly Brigitte, terrifically.
Thuvia's choice was remarkable, agreed. I could place any clip on the timeline at random and almost always get a match. Not only is the beat strikingly deep and clear, but it has the right feel for the source -- a steady and lulling trickle until it's up to your neck.
My favourite part either has to be the juxtaposition of their mother, oblivious, giving Ginger her cake, with the snapping of the tupperware signifying her decision to protect the girls above all else-- SO GOOD--
You know, I liked how the imagery matched itself, the lyrics and Brigitte's perspective, but what it said about Pamela and her maternal instincts -- "Our little girl is a young woman now" matched with "You've done a terrible thing... but you're my tiny babies", feeding one's young versus watching them fend for themselves -- had not occurred to me. I like having my vid explained to me -- gives a nice ring of truth to it.
or Brigitte and Ginger freaked out about feminine products as Sam discovers the werewolf.
I was surprised by what this vid taught me about the cinematography of the film, and especially surprised by how easy and entertaining it was to showcase the parallels and doubling-back. This is one of my favourite edits too -- Sam's wavering step, especially, feels pithy and in tune.
I will be rewatching again and again-- please more like this!
There may yet be another vid. I had a song and an idea before I tried Thuvia's, so we shall see if I like that end result as much as I like this one.
Re: Belated Festivids Treat
Thuvia's choice was remarkable, agreed. I could place any clip on the timeline at random and almost always get a match. Not only is the beat strikingly deep and clear, but it has the right feel for the source -- a steady and lulling trickle until it's up to your neck.
My favourite part either has to be the juxtaposition of their mother, oblivious, giving Ginger her cake, with the snapping of the tupperware signifying her decision to protect the girls above all else-- SO GOOD--
You know, I liked how the imagery matched itself, the lyrics and Brigitte's perspective, but what it said about Pamela and her maternal instincts -- "Our little girl is a young woman now" matched with "You've done a terrible thing... but you're my tiny babies", feeding one's young versus watching them fend for themselves -- had not occurred to me. I like having my vid explained to me -- gives a nice ring of truth to it.
or Brigitte and Ginger freaked out about feminine products as Sam discovers the werewolf.
I was surprised by what this vid taught me about the cinematography of the film, and especially surprised by how easy and entertaining it was to showcase the parallels and doubling-back. This is one of my favourite edits too -- Sam's wavering step, especially, feels pithy and in tune.
I will be rewatching again and again-- please more like this!
There may yet be another vid. I had a song and an idea before I tried Thuvia's, so we shall see if I like that end result as much as I like this one.